Title:

Subject:

Date:

<aside> 💡 Key Points:

• Main Ideas

• Key words

• Questions that connect points

• Important points

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<aside> ✏️ Notes:

Main lecture notes

The Soul selects her own Society

• Hyperated language?
• She is isolated
• she cares about being understood
• Rupture between inside and outside
• she is stopping to find the right word
• Sementic and metalinguistic tension?
• Hypen dash
• spasmodic language
• elequent and conscise
• also deceptively simplistic
• There are rhymes, half rhymes and no rhymes
• she creates binaries, like clısing door
• incoherent sound
• fixation
• the soul is personified
• by using dash intemts and create effect to pause
• third person? distance identity
• she is an insider and outsider at the same time
• more problematized self - psychanalytical view
• capitalization, allegorical and personified
• distant and fragmented but not plural as she is a modernist
• iambic trimeter uniquely belongs to her tetraneter, abababcb

Because I could not stop for Death

• simile, euphemism
• time and death conscise
• double self
• journey to after life
• Death is a caring gentleman
• like a beloved one
• carriage drives slowly
• leisure and eartly pleasure

Success is counted sweetest

• İambic trimeter
• fluctuating between stress
• desire- freudian
• the poem is about human desire

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<aside> 📎 Summary:

A brief summary and conclusion about the notes/lecture

The Soul selects her own Society

• heightened language” – Dickinson’s language is often compressed, intense, and suggestive, creating profound meaning in few words.
• The speaker describes the soul as selectively shutting herself away, suggesting solitude and exclusivity.
• Dickinson often writes with an awareness of being misunderstood. This poem reflects a soul who chooses her own path, regardless of societal approval.
• Rupture between inside and outside

✔️ Symbolizes a divide between internal (private/self) and external (society/others). The soul “shuts the door,” rejecting the outside world

• Dickinson’s use of dashes—a pause that reflects careful word choice, hesitation, or intense thought.
• Semantic and metalinguistic tension?

✔️ Dickinson plays with meaning and language itself.

Semantic tension = meaning gaps; metalinguistic tension = awareness of language as a medium (perhaps highlighting how words fall short).

• The em-dash (—) is a signature of Dickinson’s style, used for emphasis, interruption, or ambiguity.
• Her language can feel disjointed, echoing intense inner states. Some critics link this to the Spasmodic poets, though Dickinson’s use is more unique and internalized.
• Her poems are brief but deeply expressive.
• The surface simplicity often hides complex psychological or philosophical depth.
• There are rhymes, half rhymes, and no rhymes Known as slant rhyme or imperfect rhyme —a hallmark of Dickinson’s style that unsettles expectation.
• She creates binaries, like closing door Binary oppositions: soul/world, inclusion/exclusion, choice/rejection.
• “The Soul” is described in the third person, suggesting a distanced, even fragmented self.
• The soul is selective—insider to a chosen few, outsider to the rest. Reflects Dickinson’s own seclusion.
• The self isn't unified; it’s conflicted. Could be read through a Freudian or Lacanian lens: identity, repression, desire.
• Random capitalization draws attention to abstract concepts ("Soul," "Society") making them allegorical or symbolic.
• Distant and fragmented but not plural, as she is a modernist
• Iambic trimeter uniquely belongs to her; tetrameter, abababcb

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